Archive for the 'Music' Category

Feb 12 2008

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M. D. Benoit

Root canal and music

About ten years ago, every time I’d go to the dentist, I’d end up fainting or close to it. The fear and stress built over the years and it came to a point where I just couldn’t stand it: even the thought of going made me break into sweat. The problem was, I needed a lot of dental work, and still do, probably due to the fact that I could not drink milk when I was a baby.

Then I discovered a book that pretty much changed my dental life: The Mozart Effect: Tapping the Power of Music to Heal the Body, Strengthen the Mind, and Unlock the Creative Spirit.

The Mozart Effect was one of the first widely read books about Music Therapy, a form of “treatment” with great claims: using music can cure cancers or help kids to learn better, among other things. While I can’t attest to any of those claims, the American Music Therapy Association was founded in 1998, schools have grown across the States and Europe (where it originally started) to form music therapists, and music therapy is used in nursing homes, schools, hospitals, even with psychiatric patients.

What changed my life are the very short few paragraphs in The Mozart Effect about using music to counteract pain, especially pain from a surgical operation or dental work.

Part of the stress in a procedure is the noise. Think of nails screeching on a blackboard. The sound of the drill (the big knubbly one, that makes your entire body shake, or the high-pitched one, that brings a scent of burnt enamel with it) in your head. The surgeon’s words, the suction sounds, the… (shudder). You get my drift.

The principle of music therapy as applied to surgical and dental procedures is to counteract this noise by filling your head with music instead of harmful noises. The theory is that your head is a resonance box and that the bones of your head also conduct noise, especially the bones in your ears. Music competes with other noises and acts as a form of white noise.

There are a couple of requirements in listening to music for that purpose: the music should be without words or with unrecognizable words, and preferably classical or special music therapy music (think spa music). The first is because words hold emotional connotations and what you want to do in part is remove that emotional field. A specific song might evoke sadness, wistfulness, or specific memories which would interfere with the white noise effect or intensify your stress. The second is because you need music that has a lot of vibrato, such as cords, that will resonate in the bones of your head. I found Bach, Beethoven, Mozart, Gregorian Chant, or meditation music ideal for that.

Does it work? You bet. Everyone who’s used it that I know now swears by it. My dentist is always happy when I plug myself in. The latest specialist I went to for a root canal (upper front tooth) was quite amenable to me listening to my own music. It’s become more and more acceptable, and last year I used my music during a surgical procedure with the surgeon’s encouragement.

There were several immediate benefits for me when I began to use music at the dentist. First, I can start listening to my music as soon as I leave the house, and find a zone of calm that helps with the overall stress. Second, I feel less during the procedure, in part because I can focus on something else but also because I do hear less of the noise. And third, the pain after everything thaws out is minimal. Gone are the days where I needed drugs for several days to counteract the pain. Because I’m much more relaxed, I can absorb whatever pain a lot more easily. Overall, that means a much shorter recovery and healing time.

And you know what? It sure beats the Muzak-type drivel I would have to listen to in the dentist’s chair. So in this case, it’s no pain, and all gain. I’ll take that any day, even if it’s all in my head (well, duh).

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Jan 09 2008

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M. D. Benoit

Cooking up music

Filed under Commentary, Music

Two Jamies. Two very different men –young men– with maybe the only thing in common being that they are both British. One was born in 1975, the other in 1979. Both grew up in Essex.

Sure, there are other similarities: both are cute, shaggy-haired, and have more energy than a cooped up panther. Both have followed their passion and are making a name for themselves, despite the odds: one cooks, the other sings jazz.

What ties them together is that they are both chefs and musicians, in their own way.

I’m talking about Jamie Oliver, the Naked Chef, who sees food as an instrument and recipes as the score — you must follow the basics, but there’s definitely room for interpretation.

The other is Jamie Cullum, who uses music to cook up a feast for the ears that is totally personal and unique.

Whether it’s for your stomach or your ears, with either of these two, you’ll end up replete.

Try out some of the Naked Chef’s recipes in his latest, Cook with Jamie: My Guide to Making You a Better Cook, and listen to Jamie Cullum in Pointless Nostalgic, which you can also find on iTunes.

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Jun 05 2007

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M. D. Benoit

The Pepsi Gladiators Video

Filed under Commentary, Music, Politics

I’m not a fan of advertisements, but this one is just superb. It plays more like a music video, the cinematography is clever, as are the special effects, and the singers are not only big stars but complement each other’s voices. Plus, the message is about female power. I’ll get behind that.

The Pepsi Gladiators Video

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Feb 07 2007

Profile Image of M. D. Benoit
M. D. Benoit

Kellylee Evans Nominated for a Juno Award

JAZZ NEWCOMER KELLYLEE EVANS
nominated
FOR JUNO AWARD

Less than a year after the indie release of her debut CD, “Fight or Flight?” jazz singer and songwriter Kellylee Evans has been nominated for a 2007 Juno Award for Vocal Jazz Album of the Year. She has been nominated alongside Diana Krall, MollyJohnson, Elizabeth Shephard and Lori Cullen.

This year’s star-studded award ceremony will be hosted by Nelly Furtado and will take place April 1st in Saskatoon, Saskatchewan. Musical performances by The Tragically Hip, k- os, Billy Talent, Gregory Charles and Three Days Grace have recently been confirmed.

Kellylee Evans has been earning rave reviews for her soulful music and charismatic performances since her second place win of the Thelonious Monk International Jazz Vocals Competition in 2004. The judges for the competition included Quincy Jones, Dee Dee Bridgewater and Al Jarreau. With the release of her debut album, "fight or flight?" this past May, her music has been reaching out across the world, garnering her praise, national radio play and strong sales. The CD is comprised of 11 original songs from Evans, whose songwriting chops earned her comparison to Aimee Mann, Elvis Costello and Ron Sexsmith (Brian Lush, gr8pr@aol.com

For more information about this artist, and to hear some of her music please visit the websites below.
www.KellyleeEvans.com
www.sonicbids.com/kellyleeevans
www.myspace.com/kellyleeevans
CTV’s JUNO Awards website:
www.junos.ctv.ca
Official JUNO Awards website:
www.junoawards.ca
CARAS website:
www.carasonline.ca

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Dec 07 2006

Profile Image of M. D. Benoit
M. D. Benoit

If your life were a movie…

Filed under Commentary, Humour, Music, Oddities

…What would the soundtrack be?

Here’s how it works:
1. Open your library (iTunes, Winamp, Media Player, iPod, etc)
2. Put it on shuffle
3. Press play
4. For every question, type the song that’s playing
5. When you go to a new question, press the next button
6. Don’t lie and try to pretend you’re cool…

Here’s mine:

    Opening Credits: “Your Sweet Name” - Harry Manx
    Waking Up: “I Gotta Right to Sing the Blues” - Toots Thielemans
    First Day At School: “A Song For You” - Michael Bublé
    Falling In Love: “Troisième leçon des Ténèbres à 2 voix” - Jordi Savall
    Fight Song: “Hallelujah” - Handel
    Breaking Up: “Once I Loved” - Charlie Byrd
    Prom: “The Long Day is Over” - Norah Jones
    Life: “Cosi fan Tutte” - Mozart
    Mental Breakdown: “You and I” Michael Bublé
    Driving: “Se Tu M’ami” - Cecilia Bartoli
    Flashback: “Time after Time” - Cassandra Wilson
    Wedding: “Talk to You” - Tracy Chapman
    Birth of Child: “The Point of Purchase” - Harry Manx
    Final Battle: “Carmina Burana” - Orff
    Death Scene: “Run the Voodoo Down” - Cassandra Wilson
    Funeral Song: “Beyond the Horizon” - Charlie Byrd
    End Credits: “Come Away With Me” - Norah Jones

It’s uncanny how some of those songs are appropriate. The idea was stolen from Ammy J.

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